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In New York City, when a crime is committed, the victims are represented by two distinct yet forever intertwined forces. There’s the police department, represented here by the 27th precinct Homicide Detectives. Theres Senior Homicide Detective Cyrus Lupo and his partner Detective Kevin Bernard who both report to their boss Lieutenant Anita Van Buren. It is their job to investigate the crime, collect evidence, interview witnesses and then, when the evidence points to a suspect or suspects, place the suspect(s) under arrest. The matter is then taken over by the prosecutors of the Manhatten District Attorney’s office, Executive Assistant District Attorney Michael Cutter with support from his assistant prosecutor Connie Rubirosa who work under the watchful eye of Manhatten District Attorney John James McCoy, together they discuss deals, prepare the witnesses and evidence and conduct the people’s case in the trial. Both teams work with the Medical Examiners Office, Crime Lab and Police and District Attorney psychiatrists. Matters are rarely resolved easily, or for the people involved, satisfactorily. Crimes are committed which frequently create public unrest and controversy, race, morals and beliefs are frequently challenged and manipulated, the guilty can go unpunished and the innocent ruined forever. The detectives and prosecutors are weary, cynical, flawed, human and vulnerable. And yet they are somehow still dedicated to their jobs, to make the guilty answer for their crimes and gain some sense of justice for the victim and the victim’s family. These are their stories…

John “Scottie” Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.

The four sons (Diesel, Green, Pepper, Davoli) of major Brooklyn mobsters have to team up to retrieve a bag of cash in a small Montana town ruled by a corrupt sheriff. Specifically, the story gets started when Matt Demaret (Pepper) goes on a job to deliver the money for his mob father (Hopper) on the advice of his uncle (Malkovich). Things don’t go as planned though…

Imagine you’re leading a six man squad on a routine army exercise. You’re behind enemy lines. Your radio doesn’t work. You’re cut off and on foot in a vast, hostile wilderness. You hear somthing howling in the distance. Something’s out there.. and it’s hungry. Very hungry. And hairy.. very hairy. The sun is going down. And there’s a full moon. You’re missing the most important football match of the decade. And there’s every chance that you’re about to be eaten alive by a pack of vicious, snarling, blood-lusting, seven-foot tall werewolves. What do you do?

Claustrophobic thriller about a team of vampire hunters who infiltrate a nest of undead to rescue one of their own.

Iowa farmer Ray Kinsella hears a voice in his corn field tell him, “If you build it, he will come.” He interprets this message as an instruction to build a baseball field on his farm, upon which appear the ghosts of Shoeless Joe Jackson and the other seven Chicago White Sox players banned from the game for throwing the 1919 World Series. When the voices continue, Ray seeks out a reclusive author to help him understand the meaning of the messages and the purpose for his field.

The nature of temptation. Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He’s in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks’s slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI’s close pursuit of Banks, whom they want alive in hopes he’ll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks’s tough-guy armor. Guns, money, and a chance at Paradise…

Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty…or so they thought? When the Carter’s car breaks down at the old site, they’re stranded…or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren’t pulling a prank, but are out to set up a gruesome massacre.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he’s screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him?